{"id":12828,"date":"2025-02-09T22:09:18","date_gmt":"2025-02-09T22:09:18","guid":{"rendered":"https:\/\/komitasmuseum.am\/?p=12828"},"modified":"2025-02-09T22:09:18","modified_gmt":"2025-02-09T22:09:18","slug":"conference-2024","status":"publish","type":"post","link":"https:\/\/komitasmuseum.am\/en\/conference-2024\/","title":{"rendered":"Conference 2024"},"content":{"rendered":"<div class=\"osc-res-tab tabbable simposium-post  osc-tabs-center\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-center-ul\" id=\"oscitas-restabs-1-conference-2024-39988\"><li class=\"active\"><a href=\"#ert_pane1-0\" data-toggle=\"tab\">Program<\/a><\/li><li class=\"\"><a href=\"#ert_pane1-1\" data-toggle=\"tab\">Photos<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-1-conference-2024-39988\"><li class=\"tab-pane active\" id=\"ert_pane1-0\"><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>PROGRAM\u00a0<\/strong><\/p>\n<p><strong>MONDAY, 7 OCTOBER 2024<br \/>\n<\/strong>Venue: Fanny Hensel-Saal, University of Music and Performing Arts Vienna<\/p>\n<p><strong>Greeting Speeches<br \/>\n<\/strong><strong>\u00a0 \u2013 Univ.-Prof. Dr. h.c. Johannes Meissl,<\/strong> Vice Rector for International Affairs and Art of mdw<br \/>\n<strong>\u2013 H.E. Armen Papikyan,<\/strong> Ambassador of Armenia to Austria<br \/>\n<strong>\u2013 Marko K\u00f6lbl,<\/strong> Head of the Department of Folk Music Research and Ethnomusicology of mdw<br \/>\n<strong>\u2013 Nikolay Kostandyan,<\/strong> Director of the Komitas Museum-Institute Yerevan<br \/>\n<strong>\u2013 Anna Asatryan,<\/strong> Director of the Institute of Arts of the National Academy of Sciences of the Republic of Armenia<\/p>\n<p><strong>Round Table: <\/strong><br \/>\n<strong>Epistemologies, Institutions, Research Traditions: Folk Music Research and Ethnomusicology in Austria and Armenia.<\/strong><b><br \/>\n<\/b>Discussions with Representatives of the Komitas Museum-Institute Yerevan, the Department of Folk Music Research and Ethnomusicology of mdw and the Institute of Arts of the National Academy of Sciences of the Republic of Armenia.<\/p>\n<p><strong>Session I \u2013 Traditional Music: Professional Performance<\/strong><br \/>\nChair: Tatevik Shakhkulyan<br \/>\n&#8211;<strong> Mher Navoyan.<\/strong> Syncretic Characteristics of Gusan Art<br \/>\n<strong>\u00a0 &#8211; Iryna Fedun.<\/strong> Professional Folk Musicians in Ukraine: Current State and Prospects for the Development of the Tradition<br \/>\n<strong>\u00a0 &#8211; Spandita Das.<\/strong> What sustains Baul-Fakir Performances? Reflections on Professionalization, Spiritual Practices and the Notion of Authenticity<\/p>\n<p><strong>Session II \u2013 Traditional Music: Vernacular Life<br \/>\n<\/strong>Chair: Hande Sa\u011flam<br \/>\n<strong>\u00a0 &#8211; Hasmik Harutyunyan &amp; Hasmik Matikyan.<\/strong> Composition Mechanisms of Lullabies in the Modern Musical Folklore of Shirak<br \/>\n<strong>\u00a0 &#8211; Tatevik Shakhkulyan.<\/strong> Descending melodic Line in the Home and Displacement<br \/>\n<strong>\u00a0 &#8211; Lilit Harutyunyan.<\/strong> Echoes of Captivity: Unveiling Armenian Folk Music through WWI POW Recordings<br \/>\n<strong>\u00a0 &#8211; Nvard Vardanyan &amp; Lusine Hayriyan.<\/strong> The Song of the Frontline in 2020 in the 44-day Artsakh war: From traditional to modern Manifestations<\/p>\n<p><strong>Session III \u2013 Komitas\u2019 Activities<br \/>\n<\/strong>Chair: Mher Navoyan<br \/>\n<strong>\u00a0 &#8211; Lusine Sahakyan.<\/strong> The Role of Komitas in Armenian Women\u2019s musical Education<br \/>\n<strong>&#8211; Lilit Artemyan.<\/strong> Compositional Features and Performing Issues of Komitas\u2019s \u201cDances\u201d<\/p>\n<p><strong>Workshop I: Parerg \u2013 Tradition and modern Application<br \/>\n<\/strong>Facilitator: Tatevik Shakhkulyan<\/p>\n<p>&nbsp;<\/p>\n<p><strong>8 OCTOBER 2024<\/strong><br \/>\nVenue: Fanny Hensel-Saal, University of Music and Performing Arts Vienna<\/p>\n<p><strong>Session IV \u2013 Sonic Dimensions of Displacement, Migration and Diasporas<\/strong><b><br \/>\n<\/b>Chair: Isabel Frey<br \/>\n<strong>\u00a0 &#8211; Francesco Rossetti.<\/strong> A musical Father to found the Utopian Homeland: Komitas\u2019s Legacy in the Milanese Armenian Avant-Garde<br \/>\n<strong>\u00a0 &#8211; Sona Nalbandian.<\/strong> Komitas\u2019s Folk Transcriptions: Sustaining Armenian musical Heritage in the Diaspora<br \/>\n<strong>\u00a0 &#8211; Ani Hakobyan.<\/strong> Bedros Alahaidoian: Recordings from the Armenian Diasporas<\/p>\n<p><strong>Session V \u2013 From Hymnography to Sacred Performance<br \/>\n<\/strong>Chair: Lilit Yernjakyan<br \/>\n<strong>\u00a0 &#8211; Christian Poske.<\/strong> Decolonizing Santal Hymnology: &#8216;Advanced far enough to make up Choirs with all four Voices&#8217;<br \/>\n<strong>\u00a0 &#8211; Gayane Amiraghyan.<\/strong> New Julfa Chant of the Armenian Sacred Music: Migration and Identity<\/p>\n<p><strong>Session VI \u2013 Culture and Identity<br \/>\n<\/strong>Chair: Marko K\u00f6lbl<br \/>\n<strong>&#8211; Jacob Olley.<\/strong> Armenian Music, Print Capitalism and Transimperial Networks in the long 19th Century<br \/>\n<strong>&#8211; Lilit Yernjakyan.<\/strong> Reflections of Ottoman\/Turkish Cultural Policy in 19th-20th Century Music Collections: Hornbostel, Komitas, Bart\u00f3k<\/p>\n<p><strong>Workshop II: Traditional Folk Dances of Austria and Armenia<br \/>\n<\/strong>Facilitators: Else Schmidt and Ani Hakobyan<\/p>\n<p>&nbsp;<\/p>\n<p><\/li><li 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sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n<p><\/li><\/ul><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; PROGRAM\u00a0 MONDAY, 7 OCTOBER 2024 Venue: Fanny Hensel-Saal, University of Music and Performing Arts Vienna Greeting Speeches \u00a0 \u2013 Univ.-Prof. Dr. h.c. Johannes Meissl, Vice Rector for International Affairs and Art of mdw \u2013 H.E. Armen Papikyan, Ambassador of Armenia to Austria \u2013 Marko K\u00f6lbl, Head of the Department of Folk Music Research and<\/p>\n","protected":false},"author":5,"featured_media":12825,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[56,297,298,58,300,74,299,152,248],"class_list":["post-12828","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scientific-conference","tag-komitas-en","tag-komitas-conference-2","tag-komitas-international-conference-2","tag-komitas-museum-en","tag-komitas-museum-vienna","tag-komitas-museum-institute-en","tag-komitas-vienna-2","tag-vardapet-museum","tag-vardapet-museum-2-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/posts\/12828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/comments?post=12828"}],"version-history":[{"count":8,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/posts\/12828\/revisions"}],"predecessor-version":[{"id":12836,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/posts\/12828\/revisions\/12836"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/media\/12825"}],"wp:attachment":[{"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/media?parent=12828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/categories?post=12828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/tags?post=12828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}