{"id":6554,"date":"2018-09-24T16:57:24","date_gmt":"2018-09-24T16:57:24","guid":{"rendered":"http:\/\/komitasmuseum.am\/en\/%d5%a3%d5%ab%d5%bf%d5%a1%d5%aa%d5%b8%d5%b2%d5%b8%d5%be-2018\/"},"modified":"2019-07-07T08:03:01","modified_gmt":"2019-07-07T08:03:01","slug":"conference-2018-en","status":"publish","type":"post","link":"https:\/\/komitasmuseum.am\/en\/conference-2018-en\/","title":{"rendered":"Conference 2018"},"content":{"rendered":"<div class=\"osc-res-tab tabbable simposium-post  osc-tabs-center\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-center-ul\" id=\"oscitas-restabs-1-conference-2018-en-34368\"><li class=\"active\"><a href=\"#ert_pane1-0\" data-toggle=\"tab\">Program<\/a><\/li><li class=\"\"><a href=\"#ert_pane1-1\" data-toggle=\"tab\">Participants<\/a><\/li><li class=\"\"><a href=\"#ert_pane1-2\" data-toggle=\"tab\">Photos<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-1-conference-2018-en-34368\"><li class=\"tab-pane active\" id=\"ert_pane1-0\"><\/p>\n<p><strong>28.09.2018<\/strong><\/p>\n<hr>\n<p><strong>KOMITAS:<br \/>\n<\/strong><strong>AT THE CROSSROADS OF TRADITION AND MODERNITY<\/strong><\/p>\n<p>INTERNATIONAL CONFERENCE<\/p>\n<p>Grand Salon of Sorbonne University<br \/>\nParis, France<\/p>\n<p><strong>First Session<br \/>\n<\/strong>KOMITAS VARDAPET<br \/>\n11:00-13:00<\/p>\n<p>Komitas Vardapet as the Founder of Armenian Medieval Music Studies<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/%d5%a1%d5%b6%d5%b6%d5%a1-%d5%a1%d6%80%d5%a5%d5%be%d5%b7%d5%a1%d5%bf%d5%b5%d5%a1%d5%b6-3\/\" target=\"_blank\" rel=\"noopener noreferrer\">ANNA AREVSHATYAN<\/a><\/strong> (Armenia)<\/p>\n<p>Komitas\u2019s National Musical Identity Paradigm and the Armenian Bard Tradition<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/lilit-yernjakyan\/\" target=\"_blank\" rel=\"noopener noreferrer\">LILIT YERNJAKYAN<\/a><\/strong> (Armenia)<\/p>\n<p>Komitas\u2019s Theory on Armenian Music Modes: Concord or Discord with Major\/Minor?<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/tatevik-shakhkulyan-2\/\" target=\"_blank\" rel=\"noopener noreferrer\">TATEVIK SHAKHKULYAN<\/a><\/strong> (Armenia)<\/p>\n<p>Komitas Vardapet and the French Culture<br \/>\n<a href=\"http:\/\/komitasmuseum.am\/en\/lusine-sahakyan-2\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>LUSINE SAHAKYAN<\/strong> <\/a>(Armenia)<\/p>\n<p>The Theoretical Bases of One of Komitas\u2019s Concepts Concerning Armenian Secular and Sacred Music<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/mher-navoyan-2\/\" target=\"_blank\" rel=\"noopener noreferrer\">MHER NAVOYAN<\/a><\/strong> (Armenia), <strong><a href=\"http:\/\/komitasmuseum.am\/en\/erica-bisesi\/\" target=\"_blank\" rel=\"noopener noreferrer\">ERICA BISESI<\/a><\/strong> (Italy)<\/p>\n<p><strong>Second Session<\/strong><br \/>\nFOLKLORE DIMENSION<br \/>\n14:00-16:00<\/p>\n<p>Armenian Musical Instruments: Three Etymologies<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/hrach-martirosyan\/\" target=\"_blank\" rel=\"noopener noreferrer\">HRACH MARTIROSYAN<\/a><\/strong> (Netherlands)<\/p>\n<p>Traces of Ancient Sumerian Epic Poetry in the Armenian Avetises<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/marianna-tigranyan-2\/\" target=\"_blank\" rel=\"noopener noreferrer\">MARIANNA TIGRANYAN<\/a><\/strong> (Armenia)<\/p>\n<p>\u201cTraditional\u201d Subgroup of Lullaby in Armenian Folk Music<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/ani-hakobyan\/\" target=\"_blank\" rel=\"noopener noreferrer\">ANI HAKOBYAN<\/a><\/strong> (Armenia)<\/p>\n<p>Traditional Music Collecting Activities from Komitas to Our Days<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/margarit-sargsyan\/\" target=\"_blank\" rel=\"noopener noreferrer\">MARGARIT SARGSYAN<\/a><\/strong> (Armenia)<\/p>\n<p>The Activity of the <em>A\u0161u\u0142 <\/em>Society in Aleksandrapole in the Context of Komitas\u2019s Fundamental Theory<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/hasmik-harutyunyan-2\/\" target=\"_blank\" rel=\"noopener noreferrer\">HASMIK HARUTYUNYAN<\/a><\/strong> (Armenia)<\/p>\n<p><strong>Thirs Session<\/strong><br \/>\nMEDIEVAL SPACES<br \/>\n16:30-17:30<\/p>\n<p>Musical Hierotopy in the Medieval Culture: <em>Znamenny<\/em> Chant and Sacred Spaces<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/%d5%b4%d5%a1%d6%80%d5%ab%d5%b6%d5%a1-%d5%a5%d5%a3%d5%b8%d6%80%d5%b8%d5%be%d5%a1\/\" target=\"_blank\" rel=\"noopener noreferrer\">MARINA EGOROVA<\/a>, <a href=\"http:\/\/komitasmuseum.am\/en\/albina-kruchinina\/\" target=\"_blank\" rel=\"noopener noreferrer\">ALBINA KRUCHININA<\/a><\/strong> (Russia)<\/p>\n<p>The Development of the Armenian Mekhitarist Chant: Transcribed Materials and Oral Tradition<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/lilit-harutyunyan-2\/\" target=\"_blank\" rel=\"noopener noreferrer\">LILIT HARUTYUNYAN<\/a><\/strong> (Armenia)<\/p>\n<p>The Functions of the Final Tones in the Theoretical Characteristics of the Armenian Eight-Mode System<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/gayane-amiraghyan-2\/\" target=\"_blank\" rel=\"noopener noreferrer\">GAYANE AMIRAGHYAN<\/a><\/strong> (Armenia)<\/p>\n<p><strong>Fourth Session<\/strong><br \/>\nTRADITION AND CONTEMPORARINESS<br \/>\n17:30-18:30<\/p>\n<p>Komitas Vardapet\u2019s Unrecognized Creative Modernity According to His Divine Liturgy<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/gerard-der-haroutiounian\/\" target=\"_blank\" rel=\"noopener noreferrer\">G\u00c9RARD DER HAROUTIOUNIAN<\/a><\/strong> (France)<\/p>\n<p>Komitas\u2019s Character in Edgar Hovhannisian\u2019s Ballet \u201cAntouni\u201d<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/%d5%b6%d5%a5%d5%ac%d5%ac%d5%ab-%d5%a1%d5%be%d5%a5%d5%bf%d5%ab%d5%bd%d5%b5%d5%a1%d5%b6\/\" target=\"_blank\" rel=\"noopener noreferrer\">NELLY AVETISYAN<\/a><\/strong> (Armenia)<\/p>\n<p>The Polycromaticism in the Notation of the Armenian Music<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/alicia-terzian\/\" target=\"_blank\" rel=\"noopener noreferrer\">ALICIA TERZIAN<\/a><\/strong> (Argentina)<\/p>\n<p>Margarit Babayan as an Interpreter of the Folk Songs of Different Nations<br \/>\n<strong><a href=\"http:\/\/komitasmuseum.am\/en\/nikolay-kostandyan-2\/\" target=\"_blank\" rel=\"noopener noreferrer\">NIKOLAY KOSTANDYAN<\/a><\/strong> (Armenia)<\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane1-1\"><br \/>\n<div class=\"display-posts-listing\"><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/tatevik-shakhkulyan-2\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/ulusnktfemigueijysdf-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/tatevik-shakhkulyan-2\/\">TATEVIK SHAKHKULYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Musicologist, PhD in Arts, Head of the Re\u00adsearch Department of the Komitas Mu\u00adseum-Institute, Senior Researcher at the Institute of Arts of the National Academy of Sciences of RA, Lecturer at the Komitas State Conservatory, Liaison Officer for Ar\u00admenia at the International Council for Tra\u00additional Music. She defended her disserta\u00adtion thesis at the Institute of Arts<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/%d5%b4%d5%a1%d6%80%d5%ab%d5%b6%d5%a1-%d5%a5%d5%a3%d5%b8%d6%80%d5%b8%d5%be%d5%a1\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/bqqbcrgmxxapcooomsss-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/%d5%b4%d5%a1%d6%80%d5%ab%d5%b6%d5%a1-%d5%a5%d5%a3%d5%b8%d6%80%d5%b8%d5%be%d5%a1\/\">MARINA EGOROVA<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">PhD in Philology, Assistant Professor at the Chair of Old Russian Singing Art of the N. Rimsky-Korsakov State Conserva\u00adtory in Saint Petersburg. Egorova received a PhD from the Saint Petersburg State University in 1996. She is the author of a monograph, four textbooks and a num\u00adber of articles. Her academic interests are focused on the<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/albina-kruchinina\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/qrdylvmjlfrjggghpjao-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/albina-kruchinina\/\">ALBINA KRUCHININA<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Musicologist, PhD in Arts, Honored Work\u00ader of Art of RF, the founder of and Profes\u00adsor at the Chair of Old Russian Song Art of the N. Rimsky-Korsakov State Conser\u00advatory in Saint Petersburg, author of the study plan. She has received her PhD in 1979. Kruchinina is the author of a mono\u00adgraph, three textbooks on the<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/gayane-amiraghyan-2\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/hblkmuxpjerdlkpvyoia-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/gayane-amiraghyan-2\/\">GAYANE AMIRAGHYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Musicologist-medievalist, PhD in Arts, researcher at the Institute of Arts of the National Academy of Sciences of RA and at the Komitas Museum-Institute, a member of Verein zur Erforschung der Mon\u00adodie (Austria). Amiraghyan has graduated from the Department of Musicology of the Komitas State Conservatory in Yere\u00advan and has undertaken her post-grad\u00aduate studies at the<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/gerard-der-haroutiounian\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/hsoacqblzcqwwmusljua-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/gerard-der-haroutiounian\/\">GERARD DER HAROUTIOUNIAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Singer, tar player and musicologist. Der Haroutiounian graduated from the Komi\u00adtas State Conservatory in Yerevan (tar) and the Sorbonne University in Paris. He re\u00adceived his Master\u2019s Degree in Musicology with the thesis entitled \u201cTonality and Mo\u00addality in Armenian Music\u201d. Der Haroutiouni\u00adan teaches at the Paris Academy. He is a winner of international contests and an<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/%d5%b6%d5%a5%d5%ac%d5%ac%d5%ab-%d5%a1%d5%be%d5%a5%d5%bf%d5%ab%d5%bd%d5%b5%d5%a1%d5%b6\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/otnmaiaacwjfvgysylpx-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/otnmaiaacwjfvgysylpx-150x150.jpg 150w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/otnmaiaacwjfvgysylpx-300x300.jpg 300w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/otnmaiaacwjfvgysylpx-768x768.jpg 768w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/otnmaiaacwjfvgysylpx.jpg 960w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/%d5%b6%d5%a5%d5%ac%d5%ac%d5%ab-%d5%a1%d5%be%d5%a5%d5%bf%d5%ab%d5%bd%d5%b5%d5%a1%d5%b6\/\">NELLY AVETISYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Musicologist, PhD in Arts, Honored Work\u00ader of Art of RA, Professor at the Komitas State Conservatory in Yerevan, Lecturer at the State Academy of Arts in Yerevan, Member of the administrative body of the Composers\u2019 Union of Armenia, Corre\u00adsponding Member of the Ararat Interna\u00adtional Academy of Sciences (Paris). Avetisyan defended a dissertation thesis on The<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/alicia-terzian\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/sijgrmweidtjweorgdvm-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/alicia-terzian\/\">ALICIA TERZIAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Composer, musicologist, academic and Director of the Encuentros Group, Alicia Terzian studied in the National Conserva\u00adtory of Music of Buenos Ayres. She stud\u00adied Armenian music at the Monastery of San Lazaro (Venice) with Dr. Leoncio Dayan. She offered lectures on this sub\u00adject at the University of Yale (USA), at the Great Hall of UNESCO in<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/hasmik-harutyunyan-2\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/pzprbiaxanfvfczvckrv-150x150.png\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/hasmik-harutyunyan-2\/\">HASMIK HARUTYUNYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Musicologist, PhD in Arts, researcher at the Shirak Center for Armenian Studies of the National Academy of Sciences of RA, Scientific Secretary of the Cen\u00adter. She graduated from the Komitas State Conservatory (1987). In 2005, she received her PhD. Harutyunyan has worked at the Kumayri Reserve-Muse\u00adum in Gyumri and at Gyumri\u2019s branch of the Komitas<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/lusine-sahakyan-2\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/rynyofrpsuvwwfqnnnrh-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/lusine-sahakyan-2\/\">LUSINE SAHAKYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Musicologist, PhD in Arts, Assistant Pro\u00adfessor, Head of the Chair of Music His\u00adtory of the Komitas State Conservato\u00adry. Sahakyan undertook graduate and post-graduate studies at the Komitas State Conservatory. She defended her dissertation thesis at the Institute of Arts of the National Academy of Sciences of RA in 2007. Sahakyan is the author of a<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/erica-bisesi\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/ykeabphkpfspygcjweei-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/ykeabphkpfspygcjweei-150x150.jpg 150w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/ykeabphkpfspygcjweei-300x300.jpg 300w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/ykeabphkpfspygcjweei-768x768.jpg 768w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/ykeabphkpfspygcjweei.jpg 960w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/erica-bisesi\/\">ERICA BISESI<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Bisesi\u2019s academic track is multidisci\u00adplinary: PhD in mathematics and phys\u00adics, MA in piano interpretation and MMus in music theory and analysis (in progress). She works as a postdoctoral researcher in cognitive science at the In\u00adstitut Pasteur in Paris. She taught music cognition at the Universities of Bratisla\u00adva and Graz (Austria) and at the Con\u00adservatory of<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/hrach-martirosyan\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/amoxvlwdbjgdggciavvo-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/amoxvlwdbjgdggciavvo-150x150.jpg 150w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/amoxvlwdbjgdggciavvo-300x300.jpg 300w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/amoxvlwdbjgdggciavvo.jpg 591w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/hrach-martirosyan\/\">HRACH MARTIROSYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">A Linguist specialized in comparatvie studies, PhD, Leiden University. In 1991 Martirosyan graduated from the Faculty of Philology of the Vanadzor Pedagogi\u00adcal University (Armenia). In 2008 he re\u00adceived a PhD from Leiden University. A reviewed and enhanced version of his dissertation was later on published in the form of \u201cEtymological Dictionary of the Armenian Inherited<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/marianna-tigranyan-2\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/agferxrycqodsjdfdkwr-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/marianna-tigranyan-2\/\">MARIANNA TIGRANYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Ethnomusicologist, PhD in Arts, Research\u00ader at the Department of Folk Music of the Institute of Arts of the National Academy of Sciences of RA and Lecturer at the Chair of Armenian Folk Music Studies of the Komitas State Conservatory. She has defended a dissertation thesis en\u00adtitled \u201cTraditional Armenian Wedding Chants within the Context of the<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/ani-hakobyan\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/nifcpjnkilqimmowtuii-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/ani-hakobyan\/\">ANI HAKOBYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Musicologist-folklorist, junior researcher at the Folk Music Department of the In\u00adstitute of Arts of the National Academy of Sciences of the Republic of Armenia and Lecturer at the R. Melikyan State Mu\u00adsic College (Yerevan). Hakobyan got her Master\u2019s Degree from the Department of Musicology at the Komitas State Conser\u00advatory. Her Master's thesis is published, as<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/margarit-sargsyan\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/mjtovzsbtoxuuphhtdke-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/margarit-sargsyan\/\">MARGARIT SARGSYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Musicologist, folklorist, researcher at the Folk Music Department at the Institute of Arts of the National Academy of Scienc\u00ades of the Republic of Armenia. Sargsyan graduated from the Department of Mu\u00adsicology at the Komitas State Conserva\u00adtory. The main components of her ac\u00adtivity are folk music collection fieldwork, their transcription, systematization, no\u00adtation and analysis. Sargsyan\u2019s research<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/lilit-harutyunyan-2\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/hzmxeyulskqiwdftvaze-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/lilit-harutyunyan-2\/\">LILIT HARUTYUNYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Lilit Harutyunyan is a musicologist-medi\u00adevalist, a researcher at the Komitas Mu\u00adseum-Institute and at the Komitas State Conservatory in Yerevan, Head of the Bibliography, Recording and Digitization Department at the Music Library. Ha\u00adrutyunyan received her Bachelor's and Master\u2019s Degrees from the Department of Musicology of the Komitas State Con\u00adservatory. She undertook her postgrad\u00aduate studies at the<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/nikolay-kostandyan-2\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/yvrmhquuofwdmvidyvdf-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/nikolay-kostandyan-2\/\">NIKOLAY KOSTANDYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">PhD, Director of the Komitas Museum-In\u00adstitute. Kostandyan received his PhD in 2017 from the Institute of Arts of the Na\u00adtional Academy of Sciences of RA. He is the author of a number of articles and has presented papers at various confer\u00adences. Kostandyan\u2019s research is focused on the Armenian music of the Modern Era and contemporary<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/mher-navoyan-2\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/jvksdrkmxmpbbuyaahdy-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/mher-navoyan-2\/\">MHER NAVOYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Doctor of Arts, musicologist-medievalist, Honored Worker of Art of RA, Professor, Vice-Rector for Research Affairs of the Komitas State Conservatory in Yerevan, Head of the Folk Music Department of the Institute of Arts of the National Acad\u00ademy of Sciences of RA, Senior Research\u00ader, Chairman of the Scientific Council of the Komitas Museum-Institute, Artistic Director of<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/%d5%a1%d5%b6%d5%b6%d5%a1-%d5%a1%d6%80%d5%a5%d5%be%d5%b7%d5%a1%d5%bf%d5%b5%d5%a1%d5%b6-3\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/futkcywbkcdmzzipmriu-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/%d5%a1%d5%b6%d5%b6%d5%a1-%d5%a1%d6%80%d5%a5%d5%be%d5%b7%d5%a1%d5%bf%d5%b5%d5%a1%d5%b6-3\/\">ANNA AREVSHATYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Doctor of Arts, musicologist, Honored Worker of Art of RA, Leading Research\u00ader at the Institute of Arts of the National Academy of Sciences of RA and a Profes\u00adsor at the Komitas State Conservatory in Yerevan. She is a member of the Interna\u00adtional Association of Byzantine Studies (AIEB), Verein zur Erforschung der Monodie (Austria) and Association<\/span><\/div><div class=\"listing-item\"><a class=\"image\" href=\"https:\/\/komitasmuseum.am\/en\/lilit-yernjakyan\/\"><img decoding=\"async\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/cyzxafjbkitifbdnelke-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" \/><\/a> <a class=\"title\" href=\"https:\/\/komitasmuseum.am\/en\/lilit-yernjakyan\/\">LILIT YERNJAKYAN<\/a> <span class=\"excerpt-dash\">-<\/span> <span class=\"excerpt\">Musicologist, Doctor of Arts, Professor, Honored Worker of Art of RA, Leading Researcher at the Institute of Arts of the National Academy of Sciences of RA, Corresponding Member of the Ararat Inter\u00adnational Academy of Sciences (Paris), Pr\u00adfessor at the Komitas State Conservatory in Yerevan, a member of the Composers\u2019 Union of Armenia. Yernjakyan is the<\/span><\/div><\/div><br \/><\/li><li class=\"tab-pane \" id=\"ert_pane1-2\"><\/p>\n<p>\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-6573 gallery-columns-4 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/kbwacvybtgsicslaedoa.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"188\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/1-300x188.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/1-300x188.jpg 300w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/1-768x480.jpg 768w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/1-1024x640.jpg 1024w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/1.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/cjabhcpnxkuslcpgpdcl.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"188\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/2-300x188.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/2-300x188.jpg 300w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/2-768x480.jpg 768w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/2-1024x640.jpg 1024w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/2.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/oepdukurteutbfuvnuye.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"188\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/4-300x188.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/4-300x188.jpg 300w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/4-768x480.jpg 768w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/4-1024x640.jpg 1024w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/4.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" 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href='https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/swgfatloyndezlillxko.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"188\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/6-300x188.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/6-300x188.jpg 300w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/6-768x480.jpg 768w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/6-1024x640.jpg 1024w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/6.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/lyetjepouyzekeakwvux.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"188\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/7-300x188.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/7-300x188.jpg 300w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/7-768x480.jpg 768w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/7-1024x640.jpg 1024w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/7.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/fsxpgvecbajbyfaaeyti.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"188\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/8-300x188.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/8-300x188.jpg 300w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/8-768x480.jpg 768w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/8-1024x640.jpg 1024w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/8.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/fvvmttamnghtttmgvvup.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"188\" src=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/9-300x188.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/9-300x188.jpg 300w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/9-768x482.jpg 768w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/9-1024x643.jpg 1024w, https:\/\/komitasmuseum.am\/wp-content\/uploads\/2018\/09\/9.jpg 1274w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n<p><\/li><\/ul><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>KOMITAS:<br \/>\nAT THE CROSSROADS OF TRADITION AND MODERNITY<\/p>\n","protected":false},"author":5,"featured_media":6549,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32,7],"tags":[],"class_list":["post-6554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scientific-conference","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/posts\/6554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/comments?post=6554"}],"version-history":[{"count":8,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/posts\/6554\/revisions"}],"predecessor-version":[{"id":6869,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/posts\/6554\/revisions\/6869"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/media\/6549"}],"wp:attachment":[{"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/media?parent=6554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/categories?post=6554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/komitasmuseum.am\/en\/wp-json\/wp\/v2\/tags?post=6554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}